Like a lot of sets that I paint, this one was suggested by the buyer. “The Hours” is something I wouldn’t have thought to paint on my own and I’m glad I got to do so. My father had passed away two years ago around this time so I try to stay away from tear-inducing literature and films and I chose not to watch this movie before painting it. I did have to look at some clips in order to get a few details right and what I saw was horrifying in the sense that it made me sad, not in a delicious jump scare sort of way.
This set was commissioned while I was juggling close to 27 other orders at the same time with more still pouring in so it had been pushed back to the end-of-the-work-night slot where I only had about 45 minutes to an hour to paint it.
I could’ve chosen a simpler dress for Virginia Woolf/Nicole Kidman, but decided to challenge myself by painting her floral print outfit. The dress took me an entire third season of “You” to paint (that’s right, I measure how long it takes to work on a doll by movie/TV air time) and then some. It’s actually quite therapeutic rendering the tiny flowers.
As with a lot of pieces that I do requiring long periods of time, I feel a little lost now that it is finished. But there are some new and interesting sets to tackle so this feeling won’t last too long!
Way to ring in a new year with this new Goonies set! I’ve always wanted to expand this one, adding in the girls, maybe some baddies, but this will do! In this version I got to paint Brand (the pre-super hunky Josh Brolin, not that the teenage version of him isn’t cute, but my tastes, such as my age, have matured), Mama Fratelli (and oh my goodness was she a treat-and-a-half to paint!), and One Eyed Willy.
I absolutely love making a big set for the new year so this one fits the bill. There are so many interesting projects percolating in my head, desperate to bubble over, so I’ve been busier than ever in the ol’ sweatshop hammering it all out. There’s no such thing as transitioning smoothly into any new year, but I have made a resolution to completely filter out any distractions and unpleasant things, plan waaay ahead, finish all the projects I’ve started that’s simply languishing in the corner of my closet somewhere for the last few years, and crank out as many projects as I can in 2022! What are your resolutions for the new year?
This Christmas classic had been on my holiday wish list for a long time now, but I haven’t gotten around to painting it until this year! Someone had ordered this back in June as a present and it really got me into the Christmas spirit as my Christmas season usually begins at the end of August. Plus, it was winter in Australia then so the chilly weather, the annual flu shot, and the fact that I’m painting one of the few major Christmas movies ever made really puts me in the yuletide mood!
The last time I painted Selena I felt a bit sad. Her untimely and unnecessary death hadn’t made an impact on me at the time, but whilst painting her and learning about her enormous talent and the legacies she’s left behind at such a young age did. I had hoped the sadness had lessened this time around but it didn’t. What a shameful waste of a life. I hope I did this subsequent set of Selena dolls justice. It’d been an insanely hectic and busy time in the studio so I looked forward to sitting down after a long night of painting with beads and glitter to work on the outfits. This version had two new additions: One of her in her luminous Grammy Awards gown and one in a cow print outfit, which I had a ton of fun recreating.
The last time I made this set I thought it might be fun to add a little Grammy award statue except there had been some technical difficulties. We tried it again for this set (by we I mean my husband, as I’m not allowed to touch his computer and 3D printer due to a series of Bad Luck that follows me whenever I’m exposed to technological machinery of any kind) and I consented to printing it a bit larger, which is too large for my liking, but with the fiddly bits like the arm there’s nothing I can really do about it, as it kept snapping off. I also did a little editing for this piece after completion. My customers prove themselves to be excellent art directors, as I often do not pick up little details. I was all too happy to add the little thumb ring and a band aid to Selena in the purple outfit!
As someone who used to play the piano, the importance of warming up the ol’ fingers before each practice session was drummed into me from the beginning. It’s the same with art. I can’t just dive into my nightly babushka-ring session. More often than not, I have very little time to indulge in anything outside doll painting so I thought, hey, I’ll use the warm up session to make something different. I’ll paint on paper! I’ll paint fun stuff! I’ll paint beetles! I so want to erect a spot in my house into to a monument of natural history findings. In order to paint bigger bugs, I thought I should start with small ones first. Eventually I will paint one where I’ll have to build the canvas in my backyard because it’s so big.
This is a cigarillo box I outbid 40 ebay users for back in the 90s. It was my first time bidding on anything so I was extremely pleased to have won it.. I also won a subsequent box for the same product except it’s a little longer and I have no idea what I’ve done with it. This one, however, came with me during my vagabond days so it’s lived in several different countries and half a dozen apartments, bedsits, and houses. It and I have a long, storied past and I want to use it for something significant, not just something I stow paperclips, pilfered fun sized lollies or tampons in.
During my first sojourn to Sydney, I visited the Australia Museum and was thrilled to find that the patrons are allowed to open drawers and observe the many taxidermied specimens not on display. I pored over just about every single drawer available and lingered the longest in the entomology department because I LOVE insects. I’m not thrilled about having them hanging out in my house, but I’m more than happy to share my garden with them.
So, nearly 25 years of possessing this majestic box, I decided to use it as a mini taxonomic display for selected varieties of beetles. There are so very many to choose from! I paint one or two each night before work. It’s so satisfying to knock one out within a short time span, as I usually spend days, weeks, and sometimes even months on one project.
This small endeavor took about 6 months to complete, as I wasn’t able to actually paint it every day. But I have devoted each day to it, be it looking up beetles to paint, sketching it out, planning it, finding the right shade of green or blue and researching the best technique to paint at such a small scale or the best patina to apply to it. I am a little sad that it’s finished but I am planning on the next one, having found the next best box to house the yet-to-be-painted beetles. In the meanwhile, I really need to catch up on all the Christmas orders!
I initially had a hard time painting these beetles, as the subjects were tiny and I was in dire need of new glasses. Once that was taken care of, everything came together! I made a little stop motion video, but it cannot be displayed here. You can watch it on my Instagram account: bobobabushka
It’s hard to tell from the photos, but these bugs are actually somewhat tactile! I puffed it out so you can feel the bump as you run your (hopefully clean) hands over each and every single bug.
I don’t remember much about watching this show although I was very familiar with the Farrah Fawcett hair. When I was approached to paint this set I had a small panic attack because I wasn’t sure if I could faithfully paint that glorious ‘do. So I put it off as much as I could by focusing on the dresses. If you are to examine the pink gowns the angels wore for the Time magazine cover you’ll notice there are fine lines of crystal glitter running down the fabric. In order to create that I had to find the right glue, the right glitter of the right size and carefully run it down the dress in perfect parallel lines. If that’s not taking procrastination to another level I don’t know what is.
I once worked for an NYC/London based art dealer who spent most of my tenure at her NY office in London. I was her only employee and had access to her computer and a speaker box where I communicated with her on an hourly basis. Every so often I’d answer the phone with a very unprofessional: “Charlie’s Angels.” But instead of running around fighting crime, I was drafting letters to various galleries and museums, telling off rather rich and important art buyers I couldn’t authorise handing off their purchases without my boss present (I cannot stress how satisfying it was having these people pleading with me, a lowly gallery assistant who often had just finished setting a mouse trap) and mindlessly putting yellow Post-It notes in various catalogue raisonné. There were a few memorable occasions where I delivered a genuine Picasso to a gallery and a Matisse bronze sculpture to an auction house. On a subway. With said sculpture in a shopping bag. I aged about 10 years that afternoon while picturing various scenarios where it ultimately ended with me dead on the train tracks and the sculpture up for sale in a black market for art somewhere.
This is an unusual one. There’s a bit of a history with the buyer for this Beetlejuice set. First she had me build a little engagement ring box into the Ruth Gordon doll of a Rosemary’s Baby set so she can propose to her man. Then, due to the pandemic and a canceled wedding, her man had me paint The Shining set to gift her on the date of the canceled festivities as a consolation prize. Now that the wedding is finally happening, her man is receiving a very special Beetlejuice set (there’s another fun one in the works for her!). I thought it would be fun to have Adam and Barbara in their morphed Afterlife monster form dressed in their wedding outfits because it’s a wedding present.
This is the first time Adam gets to be the main doll so I decided to go all out and sculpt his entire head. I used plastic pellets to mould the nose and crown and my studio that night was filled with me screaming, “That’s HOT!” and “SSSSSSSSssssssss” because I had to dip my hands into boiling hot water in order to retrieve the pellets once it’s melted. We suffer for our art, don’t we?
The rest of the set is quite fun. Beetlejuice is dressed in his purple wedding tux and Lydia in her red wedding gown. Another new addition to this set is the little bone priest presiding over Beetlejuice and Lydia’s underworld wedding.
Well! It’s been a long while since I’ve written a new update (the last post was written in April!) I’ve been working non-stop for several months now, which is why this Brady Bunch set had taken so long to materialise. The bulk of it was painted after after after hours, and by that time of, um, early dawn I was in this surreal state between “Zombie” and “Speedy Gonzales” so it’s a real miracle that anything requiring symmetry was accomplished at all.
I had so much fun with it, though. I don’t remember watching any Brady Bunch episodes when I was growing up in Taiwan, only the re-runs when I finally moved to the US. It was the mid-80s then so the show hadn’t completely lost its kitschy charm. My parents had bought a house from a family who had decorated its interiors in the late 60s/early 70s and never updated it. We’re talking shag carpets, we’re talking wood panel walls, we’re talking bathrooms with splashy blue and silver wallpaper–even on the door–and we’re talking bulky mid-century wood furniture and a kitchen done in orange and olive green. My bedroom had a wild orange wood panel walls, a chandelier in orange and yellow and matching wall to wall shag carpeting. In lieu of curtains there were these semi-opaque plastic orange casement windows. When the sun hits it just right in the late afternoon and you happen to be in my room, you’d think you’re a Roald Dahl character except instead of being inside a giant peach, you’re in a square orange. Even the layout of the garage resembled Greg Brady’s eventual attic “bachelor pad.” So it was in the basement of our house, also panelled in wood complete with a second kitchen with an adjacent honest-to-goodness bar, atop the bulky brown tweed sectionals with attached side tables, that my brother and I watched The Brady Bunch re-runs after school.
It’s not the wittiest TV show, but it was very cute and it gave me some perspective of what American families are like. I always liked the fashion sported by the older Brady girls because it looked like the outfits my mother and aunts had worn in the photo albums. Ever since I started the Babushka game, I’ve been wanting to do a set of the Brady Bunch dolls but had hesitated because there’s just so much material to cull from…that is, until someone requested it. Dozens of emails were exchanged before I sat down with it. We went over everything from the outfits of each family member to the objects that makes them identifiable in a particular episode. I’m glad the buyer has very definitive ideas of what she wanted because I couldn’t have chosen anything otherwise.
I had complete freedom as to what to do with the outfits for everyone else (with the exception of Peter Brady), and boy that was a hard one. Even harder than painting them!
This set is a little unconventional from the word go because of the Johnny Bravo alter ego of Greg Brady. The buyer is absolutely enthralled with what Johnny Bravo represents and even named her cat after him. After much discussion we’ve decided to make him a stand-alone doll and work her cat into the mix.
It took me over three months to crank this out and I felt so bad about the hold up that I kicked in a little bonus doll.
I have to admit, although it took so long to paint and some nights the task I was scheduled to do was downright daunting, I had an enormous amount of fun making it!
In my old life, this is normally the time of year I’d begin the unit on diorama in the art room. It’s the only time I ask the kids to bring something in from their home, namely a shoe box, but I was never mean about kids without because my mother had never kept a single shoe box in her life when I was growing up so I couldn’t participate in that particular unit in art as a fourth grader. I couldn’t seem to make my teacher understand not all people get their shoes that came in boxes or explain about my mother’s disdain for one. Also, at the time my English wasn’t proficient enough to go and beg my neighbours for one either. All in all that incident was traumatic because I would have LOVED to make a diorama. Fortunately a friend/colleague of mine was really into shoes and kept all the boxes they came in so she was able to help out some of my shoebox less students and nobody was left out.
I’ve been DYING to create more dioramas and one such opportunity landed on my table recently. The woman asking for one even provided a chance for me to paint some seriously dramatic landscape for the background. I was feeling a little trepidatious at first, as landscapes aren’t my forte. The last time I painted the highland sky was when I was in Scotland about, oh, 26 years ago maybe? I was more than eager to relive that experience, and fortunately the weather here in Oz have cooled down considerably so I got to pull out my “painting shawl” and got to work.
It’s always fun putting all the pieces together. I made some terrible mistakes cutting up the canvas papers, but as that always happens, I didn’t grouse about it. Just kept calm and carried on. A bunch of annoyingly trivial matters have been plaguing my life as of late, so it was really lovely to sit down and lose myself in the tranquility of painting a scenic landscape. And a castle.
Ten years ago, while my friend made the arduous trip from NYC to Australia to visit me, we would spend evenings convalescing from our intense daytime excursions by lounging in front of the TV, binge watching, and I’m not proud to admit this, Bret Michael’s Rock of Love and the subsequent Rock of Love Bus. As I’m not one to just sit idly by, a trait that my Dad absolutely hated, I had to do something while watching women competing for the former Poison frontman’s affections. I began working on a Bjork doll. Bjork, for those of you who aren’t familiar, was the frontwoman of the Icelandic rock group The Sugarcubes, and then embarked on a highly successful solo career. Between the daily sightseeing tours and Rock of Love fest, I sewed a miniature version of the Alexander McQueen bell dress featured in her music video “Who is It.” Over the years people have asked me about the availability of the doll, and I decided not to part with it as the “bells” on the dress have tarnished. I also politely refused making another one as I have to be in the right mindset to embark on extensive sewing projects.
And then it happened: I happened to have a lull in my schedule back in April when someone asked me to recreate it again. This time I researched the right kind of beads to order so it wouldn’t tarnish. There had been sourcing trips and a more comprehensive dive into the construction of the dress. My schedule allowed me to work on it only half an hour or so a day, most of which I did whilst Facetiming my Mom, who was also working on a knitting project of her own as we chatted. I also managed to find the three seasons of Rock of Love on Amazon Prime and chortled my way through it as I sewed the dress every night. It took 4 months to make it. By then I have discovered another material from which to make the face braid from. The only regret is that I didn’t have more time to experiment with it.
There is always room for improvement, of course. Maybe in another 10 years I’ll make another one!
Here is the original version made 10 years ago…almost to the day!