Cursed Toys

In my humble opinion, there is nothing scarier than toys that are designed to maim and kill. It’s because of the movies solely based on cursed objects that I was never really into dolls other than Barbies. Here is a collection of some of the dolls featured in a few favorite horror movies of mine.

Here we have the titular character from “Annabell,” a movie about the most evil doll in the world. IRL the said doll was actually a Raggedy Ann, which, aesthetically, does not look like a conduit of pure evil. Then there’s Brahms, who is technically not evil in any way, but still creepy tho. There’s Billy from “Dead Silent.” I don’t think I have ever seen a ventriloquist doll that is NOT evil looking. Then of course there’s Chucky, whom I’ve painted before but I cannot leave him out from this group. And can we ever forget what that clown doll try to do to little kids in “The Poltergeist?” Last but not least there’s Talky Tina from the hit TV series “The Twilight Zone.” She is more of an avenger for abused little kids so I approve of her murderous rampage.

Well, there you have it.

Happy Halloween, y’all!

Ghosts and Monsters

I did three Halloween themed projects this year, this being the main one, an idea I’d been toying around for years now. It is basically a little sampler of a grander scheme of things, and I’m grateful I had time to churn it out.

As my longtime readers might know, I am a fan of horror movies and literature. Naturally I ate up every single movie Guillermo Del Toro has ever made. It took a while for me to figure this one out, but once I sat down to have a good think, everything just fell into place.

The first creature is of course, Hellboy, quickly followed by Pale Man from “Pan’s Labyrinth,” and of course the Amphibian Man from “The Shape of Water.” I painted him realizing that in the movie, he seemed to glow if he’s scared, angry or horny and decided to try my hand at glow-in-the-dark paints. It’s one of those things I don’t know how to photograph, so just know that the blue bits on the Amphibian Man does pop once the lights go out!!

Although I am a fan of the horror genre, I’m not particularly crazy about ghost movies…to me it seems like a cop out. However, “Crimson Peak” was so well made in every aspect, from the stunning visuals to story telling, that it is currently on the top of my favorite ghost story movie.

The same could be said for “The Orphanage,” which I also loved, especially the ending! Maybe next year I’ll be able to paint a full set from each of these sampler dolls!

And Then There Were None

Following up with the Agatha Christie and her detectives set, I got to paint the entire cast of 1945’s version of “And Then There Were None.” The book had scared the bejeesus out of me when I was younger and also made me a Christie fan for life!

This one was interesting because the man who had proposed this set to me and I have decided right from the start to paint it entirely in black and white. It took the guesswork out of the entire process, which you would think makes things easier. But it was a bit hard in the beginning trying to determine which shade of grey to use for every single item! While working on this project I had a very discouraging setback for an ongoing endeavor, so I was grateful this one was a breeze through and through and therefore I didn’t have to be talked off the ledge!

This version features June Duprez as Vera Claythorne, Louis Hayward as Captain Philip Lombard, Roland Young as Detective William Henry Blore, Walter Huston as Dr. Edward G. Armstrong.

Barry Fitzgerald as Judge Francis J. Quinncannon, Judith Anderson as Emily Brent, Richard Haydn as Thomas Rogers, C. Aubrey Smith as General Sir John Mandrake, Queenie Leonard as Ethel Rogers, and…

…Mischa Auer as Prince Nikita “Nikki” Starloff!

If given the chance (and time), I will be all over “Murder on the Orient Express,” another oldie but a goodie!

 

 

Women of Horror

This set is all about the strike against patriarchy…well, sort of. I’ve had so much fun painting the Boys of Horror that I thought I’d give the female antagonists from film a shot and boy, was it F.U.N!!

When I was kicking the idea of this set around, I knew Carrie would be the main doll, not only because I get to fashion a tiara on her, but “Carrie” is also one of my favorite horror movies to date. I’ve watched the remakes and have enjoyed them all, but Sissy Spacek hands down OWNED this role. It took me about 2 weeks to work up the courage to do the blood drippings and I’ve done some studies in the meanwhile. It all worked out in the end.

Annie Wilkes from “Misery” is my favorite psychopath. I also had to paint in her pet pig Misery, whom, according to the articles I’ve read, had been a Very Good Pig during filming.

Norman Bates’ mom is really just a prop in the movie and I was tossing up between painting the actual mummified corpse or Norman Bates in drag for a while but in the end the former option won as I’ve never painted a corpse before and it was all kinds of fun.

Say hello to Regan from “The Exorcist” after she’d been possessed. It’s really not her fault that she was a bad bad girl and I had some misgivings about it, but it’s too good a movie and a pure classic to give this one a miss so here she is!

And of course I had to include Esther from “Orphan,” one of the two gals from the more recent era in this set. I loved the movie and was blown by the plot twist toward the end. If you haven’t seen it check it out!

Last but not least, Samara, the frightening Ghost Girl from “The Ring.” Can you blame her for wanting to extract some revenge? The poor thing spent years trapped in a well for crying out loud!

I’d originally wanted to call this set Wicked Women of Horror but not all of them are evil (least of all Carrie). Some of them are actual victims, which just goes to show that you shouldn’t treat women (or anyone for that matter) unkindly because some will break your legs (or, in the book version of “Misery,” amputation), trap you in your own prom and blast you with a fire hose before blowing you up, or force you to watch a terrible short film seven days before you die!

What We Do in the Shadows

Sometimes it wouldn’t even occur to me to paint a particular set, no matter how into the movie/TV show I am, unless someone brings it up. It’s something that always baffles me but there we are. I am beyond grateful to Amy for wanting some What We Do in the Shadows dolls made, and not just a single set either, which means I get to fully immerse myself into the world of these vampires of Wellington for a few weeks. Best of all, I get to watch it again and again, and let me tell you, each viewing is a complete and utter treat.

After going through the movie carefully, I chose two of my favorite scenes featuring the vampires plus one with them wearing their “daily garb.”

The cast in these sets are the same but in different orders. There’s Viago, Vladislav, Deacon, Petyr, Anton, The Beast, and of course, Stu.

The Unholy Masquerade always cracks me up largely because it was held in a the most innocuous location possible: Victoria Bowling Club.

There are so many scenes I love (especially when Deacon was doing his dance for the others), but I loved the fact that they have all taken up artistic endeavors to while away their time, something that mere mortals tend to shy away from because our time on earth is so limited.

Well, this is the first time in a long while that I was sad to finish a project. At least I had fun painting it!

Hocus Pocus

It’s the most wonderful time of year in the sweat shop! I usually start planning for my Halloween sets in late August and the hardest thing to do is to put it on a manageable schedule as these are the sort of things I can only paint after the day’s work is done. Fortunately, my husband is on one of his expeditions, leaving me to my own device. His function as a husband is to make sure I get enough food and rest and go out once in a while, but without him here to mother me, I’ve regressed to my art school days (minus the heavy partying) and painting late into the night. The advantage of living this way is that I get my best ideas after 2 AM and it is lovely to harness it and jot it down while alert instead of clumsily pawing at my nightstand for a pad of paper and fumbling for a pen.

For Halloween this year I’ve been tasked with painting one of my favorite all-time horror/comedy movies in the world. This request came right after I had made up my mind to paint another fun and somewhat kid-friendly “Hocus Pocus” so I had the rare treat of working on two Halloween-y sets simultaneously. The idea for “Hocus Pocus” came about largely because I was rooting through my collection of hair and discovered I have the right shade to make hair for Winifred Sanderson. Stop freaking out! When I say I have a box of hair, it’s doll’s hair!

I hadn’t planned on making an Easter Egg surprise for this set, but after reviewing the movie again, I thought it might be fun to toss the spell book into it. The spell book was executed at around 3 am one day and I had been on autopilot at that point so I don’t quite remember painting it, which is always a great surprise in the morning when I see it, or a sad one if it didn’t turn out right.

Happy Halloween!

I never have to think long and hard for my annual Halloween sets. The list is a mile long and growing. I am thrilled that I actually had the time this year to make this particular set, the main doll being the Cenobite from “Hellraiser.”

I sort of wanted this one to be more about the supernatural killers, but I can’t help lumping Captain Spaulding from “House of 1000 Corpses” in here. These ones are so much fun to paint. Maybe next year I’ll get around to painting an all-female killer cast…or even one featuring children! The possibilities are endless!

Happy Halloween!

Beetlejuice Beetlejuice Beetlejuice

Every year around this time I would have to screen “Beetlejuice.” Unlike most, I actually watched the Beetlejuice cartoon series first and found Beetlejuice and his relationship with Lydia kind of cute, albeit in that teen-girl-hanging-out-with-a-slightly-inappropriate-uncle sort of way in the animated series. But I get it. I had an older male baby-sitter, who, in retrospect, was really just a high school senior at the time, but he had a full beard and a luscious mullet and was slightly larger than average so I had always figured him to be in his 40s and he would often ride off into the sunset with my newly acquired dirt bike, vowing never to return, but then he would, armed with homemade cassette tapes of his drum solo. Looking back, he is really awesome and I was lucky to have him instead of someone from The Baby-sitters Club who would be all up in my business with coloring books and solving my 8-year-old problems for me. No thanks.

Anyway, I have done a Beetlejuice set a long time ago and always meant to update it, perhaps with Lydia in her red wedding gown. It didn’t happen this time, which means there’s always the next. I did do something fun with the Maitlands, though, and added Miss Argentina into the mix.

At this go, I have almost the right shade of green wool to make Beetlejuice’s hair, although it did have to be dirtied up slightly.

Making Lydia’s hair was fun although I would have preferred to make that enormous wide brimmed hat.

This version of Adam and Barbara Maitland made them seem a lot less vanilla and a lot more fun to paint!

Rosemary’s Baby

This is one of my all-time favorite horror movies: Rosemary’s Baby. It was filmed so that it’s basically a moving picture version of the novel by Ira Levin.

This set features Rosemary, Guy Woodhouse, and their creepy witchy neighbors Roman and Minnie Castevet. I pop this movie on whenever I feel a little homesick because I used to work across the street from The Dakota.

Manos: The Hands of Fate (Revisited)

I have so many projects sitting on the back burner that it’s threatening to topple over. Fortunately, there are always people out there somehow psychically linked to what I have in mind giving me a little push.

That said, one of those projects is to create a larger version of Manos: Hands of Fate, one of the most horrifically awful movies ever made. I’ve made the first one in a smaller size as a joke because I’d enjoyed watching the MST3K version so much. It was also a movie I showed to someone on a first date, which explains why I didn’t usually get a second date. In any case, the Manos sets were not something I can whip up in a day because of all the components that goes into it, namely the creation of the Master’s robe, so I never really gave the larger size a go.

Then I got a lovely email from one of the actresses from the movie: Jackey Neyman Jones, daughter of Tom Neyman, who played the Master. I knew from other Manos fans that she is making a sequel to Manos and also that her father had only recently passed away, which had upset me to a degree only a true Manos fan can understand. In short, I found her so delightful that I thought this was a sign, that I need to finally buckle down and create a large Manos set and she would be the first to receive it. Just to give me another kick in the pants, Jackey had sent me a copy of her book: “Growing Up with Manos” all the way to Australia!

Thanks, Jackey! I can’t wait to see the sequel!