A Nightmare Before Christmas Upgrade

It has been a minute since I’ve updated the Nightmare Before Christmas set. Since I normally paint this one around the holiday season, I don’t have the time nor the mental capability to upgrade it. As luck would have it, I got a chance to do so this time, and with a bigger set too!

A bigger set allows a lot more liberties as I have more of a physical wiggle room. I decided, instead of just knocking out the usual set of six dolls, I’m going to add a few more characters to it!

The usual suspects includes: Jack Skellington, Oogie Boogie, Sally, the Mayor of Halloweentown, Professor Finkelstein, and Zero. I added Sandy Claws, and the trick or treating henchmen of Oogie’s, Lock Shock and Barrel.

I’ve always been unhappy with the Mayor’s hat. In the movie it’s a stovepipe hat that went too far. When I brought this up with the Hubs, he immediately designed one for me. I knew it’s a good idea to keep him around!

I have also wanted to paint Sandy Claws for a long time so this is a dream come true right here.

As for Oogie, I rooted around my supplies until I found the glow-in-the-dark paint I had initially procured for the Guillermo Del Toro set. It was almost all dried up, but a little water revived it. I didn’t have enough to make him really glow, but he does illuminate a bit in the dark and that’s all it matters!

I have painted Lock Shock and Barrel a long time ago but they were their own standalone set, so I’m thrilled to be able to put them into this set. They’re my absolute favourite in the whole movie!

Top That!

I’ve always referred to the 1989 debacle “Teen Witch” as “Top That” because of the epic cheese rap off between the lead’s BFF Polly and the Vanilla Ice wannabe in the middle of a deserted suburban neighbourhood. The movie, when I first watched on TV, was met with sheer disbelief due to the out-of-nowhere musical numbers, the fact that it never made it known if it was a comedy or a drama or even a straight up musical! It was so bad, and vaguely uncomfortable to watch but that’s most adolescent-hood isn’t it? I can’t even look at pictures of me from that era without shuddering a little.

Teen Witch cast featuring (clockwise from the biggest doll) Louise, Madame Serena, Hunky Boy Brad, the Mr. Weaver VooDoo doll, Richie, Top That guy (I’m sure he has a name in the movie but…) and Polly.

I have been wanting to paint this set for a very long time, and finally got to it after having a session with a tarot card reader. She was someone who had helped me out with a few issues in the past but this time I’d just wanted to see how she was doing because she was undergoing a serious operation. As always, we always ended up chatting before and after the session and “Teen Witch” came up because she had just been on a podcast discussing this very movie. She encouraged me to go ahead and paint it, which naturally took a while to get to but I wanted to make it happen this time as it would be a gift for her for having to go through such an ordeal.

The problem with making dolls from the 80s era are the hairstyles. They are always so voluminous and don’t usually translate well painted on, so I decided, even though my wig-making skills are still sub-par, I should give it a shot. Creating Louise’s hair happened at 2 AM one night after one too many cups of coffee and pain tablets the day I got a cortisone shot on my shoulder so I was a bit cranked to the max, so to speak, fuelled also by the most exciting chapters in Ruth Ware’s One By One on audio. When the dust cleared, there were wisps of hair everywhere, coffee splotches here and there, and me nursing only a few injuries from felting needle related accidents. Still, I wonder if I could ever Top That night.

The Mr. Weaver VooDoo doll. He was a disgusting teacher so this action by Louise the Teen Witch was just.

Mini Addams Family

Due to the descending diminutiveness of nesting dolls, I don’t often offer the option of mini sets past six dolls. I did, however, for the Addams Family set because I had been able to procure a smaller sized set of 7 dolls in the past and knew I had one more of those left in my arsenal. Unfortunately, when I went into my supply bin to unearth what I am convinced now is a mythical product because I couldn’t locate it, I spiraled into a mad panic. Now, panicking is not allowed in my sweatshop for more than 2 minutes at a time so I got my act together and quickly pulled out all my bins and attempted to Frankenstein a mini set. “Frankensteining” is a term I use to put together a set of dolls using loose ones sitting at the bottom of these bins. In the past I have successfully put together many sets using this method and the belt sander so I was hoping to do the same here.

The only problem is that in order to put together a set of 7 dolls with this method, the last two dolls had to be extremely tiny, the girth approximate to the other ones, the descending height not incongruous, and that they all fit together. I was so relieved to have found two extremely tiny, specks, really, dolls for the last in the set. The best one is just a hair too big for the sixth doll so I got to work with my Dremel, which died as soon as I turned it on. I had no choice but to use Husband’s one, which is plugged into a coil of messy cords out in the garage. A minute later the speck of a doll skittered out of my hands and promptly disappeared. I conducted a half hearted search and knew exactly how people who were tasked to find a needle in a haystack felt before giving up and went to examine the second and last speck doll.

It was a little tinier than the one I lost, but I was confident I could successfully paint Wednesday Addams on it. Just in case, I made a tiny barrier in my work space and hardly breathed at all whilst painting her. Between painting she is kept in a sealed jar, just in case. I’ve learned my lesson.

So here it is, the set that I’ve painted many times before but made me think a lot about eye and mental health nonetheless.

The Vampires of Staten Island

I have to admit I was a bit trepidatious when I heard there was a TV version of “What We Do in the Shadows” in development. I watched the first episode filled with that very same trepidation. By the very end, I was hooked. I was glad there’s an entirely new cast of characters for the TV series instead of trying to get someone to fill the bloody fangs from the movie. Due to the recent global events, I had forgotten all about season two until someone emailed me and asked me if I could paint a doll modelled after the lone female vampire in the cast. Intrigued, I watched a couple of clips recommended and all my recent troubles were forgotten. Yes, it was this show that had pulled me out of some serious funk. After I painted the Nadja doll, I decided to give the cast a whirl. It took about an eon to finish it since I was only able to paint it at the end of very long work nights but it was worth it!

The guy playing Nandor, Kayvan Novak, is an uber hottie under all that hair and beard! He’s like the English’s version of Jason Momoa. Apart from Matt Berry I don’t know anyone in the cast (except for Mark Porksch, who had a brief cameo in “Corporate”) and I must admit I find all of them delightful.

Nadja’s Creepy Doll

These past few months had been the grimmest I have ever experienced in my life…and I had just lost my Dad in December! Like everyone else, my emotions were a roller coaster ride and I had trouble being my best self on a daily basis. I am fortunate enough to live in a self imposed bubble which I had established a decade or so ago so I was doing okay…until the recent events arose.

As usual, there are always unseen helpers out there getting me through great many trials and tribulations in my life and I cannot thank these people enough for what they’ve said or done for me. One such angel had pointed me toward season 2 of “What We Do in the Shadows” TV series and asked if I could paint Nadja’s creepy doll. I got out from my doldrums long enough to have a look and what I saw made me believe that there is something I can focus on other than doom and gloom. Even though I had other things going on I set the time out to paint Nadja’s creepy doll, who, on the show, was inhabited by a ghost and she was just as droll and funny as the actual Nadja. I love her, I love the show, and I had great fun creating a babushka version!

I mean, how can you not want one of your own?

Beetlejuice Mega Set

I painted a Beetlejuice set a while back after unearthing some lime green batten wool in my supply closet. It had originally been intended for a member of The Misfits from “Jem and the Holograms” set I never got around to painting. Funny how one thing morphs into another in the game of babushkaring. I was asked to paint this nine-piece set of Beetlejuice just as I was about to bury my father so I was pleased to have this to look forward to when I return. I was also pleased that my idea of putting Lydia Deetz in her red wedding gown was okayed. The gown is reminiscent of a dress one of my friend’s bride had worn in a lavish Chinese banquet but of course, at the time, I didn’t have the heart to point that out to her. That wedding had been in Canada and my family had driven all the way up there to attend and had a blast. Painting this set had made me remember one of the many fun family trips we had embarked on and I was grateful to be able to reminisce about it fondly.

This set includes Beetlejuice, Lydia, Adam and Barbara, Delia Deetz, Otho, Charles Deetz, Juno, and an itty bitty Miss Argentina.

She’s only tiny, but I managed to squeeze her name into the sash because I had plenty of practice writing as tiny as I could when I was a kid…a skill my mom had claimed would amount to nothing. Boy, was she wrong on that front!

I Dream of Jeannie

If I ever have the pleasure of being granted a wish, I’d ask for more time. And probably better eyesight. There is just not enough time in the day to do everything I want to do. I had experimented with cutting down sleep and replacing it with 20 minute naps 4 times a day. That didn’t work out too well. I was Zombie-Vampire Irene and had often caught myself sprinkling salt into my coffee. But I came to the realization that my circadian rhythm is vastly different from most people’s and it’s taken me that many years to realize that. It explains why I’m never fully alert until after dinner!

During one of my many late night working hours, I managed to cram in 15-45 minutes of fun painting time in which I’d work on some side projects. This was designed to keep myself interested in painting dolls day in and day out, because without some new and interesting challenges, I would have abandoned the babushka game a long time ago. I wasn’t allowed to watch TV growing up, but since I was also a latchkey kid, my brother and I would happily ignore the restriction by lunging for the TV as soon as we got home from school. Often, after a healthy dose of cartoons and my brother’s wandered off to do whatever big brothers do in the 80s, I’d continue to watch some old reruns of The Brady Bunch, Batman, Bewitched, and, of course, I Dream of Jeannie. I’d been feeling quite nostalgic these days and decided to tackle I Dream of Jeannie because it had always brought me so much happiness. I wanted to work the bottle in, but didn’t want it to be a mini version so the Hubs and I looked at some designs for Jeannie’s bottle and I found a fairly round doll to fashion it into one. The bottom bit wasn’t as wide as I had wanted, but it does keep the original nesting doll aesthetics!

It took several months and some tears of frustration to paint the bottle, largely because, at 3 AM and after a night of going through a heavy painting session, I wasn’t as sharp and with it as I would at 7 PM and kept making some glaringly obvious mistakes. But I would prevail after giving myself a good pep talk and put on some quirky TV shows and fix whatever boo boo I had made.

Painting Jeannie and Major Nelson wasn’t quite as hard, so I left it alone until the bottle was done and dusted. For Jeannie’s hair I had a very clear picture of what I wanted to do. The Hubs designed the fez hat for me with a hole in it so I could easily insert her pony tail through. I remember procuring an excellent facsimile of blonde hair that would do the trick, but I could not for the life of me find it! I tore my studio apart looking for it, only to remember two hours and a huge mess later that it was cast carelessly inside an easy-to-reach supply cabinet. Sheesh. In the end everything worked out and I was able to successfully finish the set without any more crying.

So here it is, a pure labor of love and some misery. Now, you will excuse me as I pull up a few episodes of this old favorite show of mine and sip some unsalted coffee.

My Neighbor Totoro

I’ve done a few Miyazaki based animation characters in the past, but none is as fun as this Totoro set. The idea came about when I received a set of very round dolls several years ago and had every intention of making a set, complete with some Easter egg surprises. But like everything else, life took over and I’ve only just gotten around to making this set. It took a while to hunt down some itty bitty eyes for the Soot Sprites and figuring out the right kind of clay to use to make konpeitō, the little sugar candies Soot Sprites eat. It all came together in the end and here they are!

The problem with making the konpeitō is that they are so darn small! I haven’t had or seen one in years but I’m pretty sure the real ones are a lot larger than what would fit into the last doll. But I managed to find a pair of tweezers with an odd bend that did the trick after several failed attempts! If at first you don’t succeed…look for the right tool that’ll get the job done!

A Christmas Carol

What’s Christmas with the perennial favorite: A Christmas Carol? I’d been eying this one for eons now, having the tale told to me numerous times growing up, so imaging my joy when someone requested one! This is the George C. Scott version. I’ve only ever seen him in “Patton” and “The Firestarter,” the former being one of my Dad’s favorite. I never thought I would ever paint George C. Scott, especially a version wherein he sports mutton chop sideburns!

Merry Christmas and Happy Holidays!

What We Do in the Shadows

Sometimes it wouldn’t even occur to me to paint a particular set, no matter how into the movie/TV show I am, unless someone brings it up. It’s something that always baffles me but there we are. I am beyond grateful to Amy for wanting some What We Do in the Shadows dolls made, and not just a single set either, which means I get to fully immerse myself into the world of these vampires of Wellington for a few weeks. Best of all, I get to watch it again and again, and let me tell you, each viewing is a complete and utter treat.

After going through the movie carefully, I chose two of my favorite scenes featuring the vampires plus one with them wearing their “daily garb.”

The cast in these sets are the same but in different orders. There’s Viago, Vladislav, Deacon, Petyr, Anton, The Beast, and of course, Stu.

The Unholy Masquerade always cracks me up largely because it was held in a the most innocuous location possible: Victoria Bowling Club.

There are so many scenes I love (especially when Deacon was doing his dance for the others), but I loved the fact that they have all taken up artistic endeavors to while away their time, something that mere mortals tend to shy away from because our time on earth is so limited.

Well, this is the first time in a long while that I was sad to finish a project. At least I had fun painting it!