The Vampires of Staten Island

I have to admit I was a bit trepidatious when I heard there was a TV version of “What We Do in the Shadows” in development. I watched the first episode filled with that very same trepidation. By the very end, I was hooked. I was glad there’s an entirely new cast of characters for the TV series instead of trying to get someone to fill the bloody fangs from the movie. Due to the recent global events, I had forgotten all about season two until someone emailed me and asked me if I could paint a doll modelled after the lone female vampire in the cast. Intrigued, I watched a couple of clips recommended and all my recent troubles were forgotten. Yes, it was this show that had pulled me out of some serious funk. After I painted the Nadja doll, I decided to give the cast a whirl. It took about an eon to finish it since I was only able to paint it at the end of very long work nights but it was worth it!

The guy playing Nandor, Kayvan Novak, is an uber hottie under all that hair and beard! He’s like the English’s version of Jason Momoa. Apart from Matt Berry I don’t know anyone in the cast (except for Mark Porksch, who had a brief cameo in “Corporate”) and I must admit I find all of them delightful.

United We Fall

I was asked to paint some characters from a new sitcom titled: “United We Fall” and here it is! I’d been a huge fan of Will Sasso’s ever since he was on MADtv so it was a thrill to paint him. Same goes for Christina Vidal, who had stolen countless hearts when she played a sassy child actress in “Life with Mikey.” And let’s not even go into how much I squealed upon discovering Jane Curtain was in the cast and that I also got to paint her! I loved Guillermo Diaz in “Half Baked.” Let’s face it, the cast, and the fact I got to paint them, was a dream come true!

I was painting this set around the time when my best friend’s Dad’s health took a sudden downturn and to get through it she and I had a great time talking about some of the fantastic sketches Will Sasso was on, notably the severely edited version of “The Sopranos.” It comforts me that in trying times like this, we always have some sort of joy in our lives to help us through.

The Munsters

This set had been on my wish list for years. It’s been so long that the ink I used to write down the Munsters set idea on was completely faded! Someone had proposed the idea and I quickly agreed. There were several challenges to meet for this set and I’ve met all but one, unfortunately.

First off was Herman Munster’s head. Keeping a round dome wouldn’t do. I decided to go ahead and paint all of him and come up with an idea at a later time. When that time was up, quite on a whim, I popped this little round platform I use to stand the shorter dolls on to paint on his head and problem solved! The Hubs designed and 3D printed the flat top head for Herman and I finished the rest. Done and done!

Woof Woof was not in the original brief, but I remembered wanting that doll as a kid so in he goes.

There was also a request to paint Spot the Munsters’ pet. I vaguely recall just seeing his eyes and mouth emerging from the stairs but don’t know what sort of beast he is. After some intensive research I managed to find some photos. At the time I was also working on some Beastie Boys sets and had neon green paint handy for his eyes! The nose was sculpted on because, like Herman’s head, it wasn’t working out initially.

Lastly, the request was “somehow work 1313 Mockingbird Lane into the set.” I had initially thought about turning the biggest doll into the house but architecturally it would not work. Then I thought about turning it sideways and make it into a box of sorts with roofs and domes sticking up. It’s going to run into a lot of money and time and effort in terms of supplies so I think I’ll have to nix the idea altogether. It’ll be made at another time, I suppose. But it might not be a bad idea to just paint the house on the back of Herman for now.

I did a mock up of the house. This had taken 2 hours to make and it’s not even finished…so I can’t imagine how much more time I’ll need to make the actual house. Perhaps if there are an extra 8 hours in a day…or if I don’t require sleep…!

 

Nadja’s Creepy Doll

These past few months had been the grimmest I have ever experienced in my life…and I had just lost my Dad in December! Like everyone else, my emotions were a roller coaster ride and I had trouble being my best self on a daily basis. I am fortunate enough to live in a self imposed bubble which I had established a decade or so ago so I was doing okay…until the recent events arose.

As usual, there are always unseen helpers out there getting me through great many trials and tribulations in my life and I cannot thank these people enough for what they’ve said or done for me. One such angel had pointed me toward season 2 of “What We Do in the Shadows” TV series and asked if I could paint Nadja’s creepy doll. I got out from my doldrums long enough to have a look and what I saw made me believe that there is something I can focus on other than doom and gloom. Even though I had other things going on I set the time out to paint Nadja’s creepy doll, who, on the show, was inhabited by a ghost and she was just as droll and funny as the actual Nadja. I love her, I love the show, and I had great fun creating a babushka version!

I mean, how can you not want one of your own?

Hedwig Revisited

Boy, I have never experienced so many emotions all in one day and for so many days running and the sad thing is, I am not the only one feeling this way. Nothing unites us globally like a disaster of epic proportions. We are fortunate enough to have the option to stay home and wait this out instead of being out in the wild fending for ourselves and I am glad to see a lot of my friends and their friends doing constructive things with their time while keeping themselves and their families safe.

Right before everything went awry, I was asked to paint another Hedwig and the Angry Inch set, which I did between staring dumbly at the wall and crying and processing all sorts of unfamiliar emotions surging through me. I myself have nothing to worry about since I’m practically a shut in and I have had hoarded supplies in the past as a habit so I didn’t have to go out and grab things I didn’t need and deprive others who truly needs them, but I worry about my family and friends and my husband, who all of a sudden is deemed an essential worker after years of having his job maligned and laughed at by the more elite members of society. I am so proud of my husband for being out there every day making sure everyone gets what they need while making sure those who work under him are protected and looked after and ensuring they all hold on to their jobs in these uncertain times. It doesn’t stop me from giving him a stern talking to when he trails bits of grass and bark all over the house but I am very well aware of his incredible ability to see things in a broad scope and implement it the best he could.

I made this Hedwig set with much sadness, but the music buoyed my spirits once I got going. If nothing else, we’ve always got art, don’t we? Please stay safe because the outcome of this devastation is going to be more spectacular than the life we’ve known before.

This new version of Hedwig has two new additions: The Menses Fair look which I adore because it’s so feminine and the look John Cameron Mitchell rocked when he did the “Return to the Origin of Love” tour a few years back.

And let’s do that. Let’s all return to the origin of love. Use this time in isolation to really think about what important in our lives and what we can do to help ourselves be even better human beings and from there we can help others as well as this planet that had been so good to us for so very long.

 

Beetlejuice Mega Set

I painted a Beetlejuice set a while back after unearthing some lime green batten wool in my supply closet. It had originally been intended for a member of The Misfits from “Jem and the Holograms” set I never got around to painting. Funny how one thing morphs into another in the game of babushkaring. I was asked to paint this nine-piece set of Beetlejuice just as I was about to bury my father so I was pleased to have this to look forward to when I return. I was also pleased that my idea of putting Lydia Deetz in her red wedding gown was okayed. The gown is reminiscent of a dress one of my friend’s bride had worn in a lavish Chinese banquet but of course, at the time, I didn’t have the heart to point that out to her. That wedding had been in Canada and my family had driven all the way up there to attend and had a blast. Painting this set had made me remember one of the many fun family trips we had embarked on and I was grateful to be able to reminisce about it fondly.

This set includes Beetlejuice, Lydia, Adam and Barbara, Delia Deetz, Otho, Charles Deetz, Juno, and an itty bitty Miss Argentina.

She’s only tiny, but I managed to squeeze her name into the sash because I had plenty of practice writing as tiny as I could when I was a kid…a skill my mom had claimed would amount to nothing. Boy, was she wrong on that front!

I Dream of Jeannie

If I ever have the pleasure of being granted a wish, I’d ask for more time. And probably better eyesight. There is just not enough time in the day to do everything I want to do. I had experimented with cutting down sleep and replacing it with 20 minute naps 4 times a day. That didn’t work out too well. I was Zombie-Vampire Irene and had often caught myself sprinkling salt into my coffee. But I came to the realization that my circadian rhythm is vastly different from most people’s and it’s taken me that many years to realize that. It explains why I’m never fully alert until after dinner!

During one of my many late night working hours, I managed to cram in 15-45 minutes of fun painting time in which I’d work on some side projects. This was designed to keep myself interested in painting dolls day in and day out, because without some new and interesting challenges, I would have abandoned the babushka game a long time ago. I wasn’t allowed to watch TV growing up, but since I was also a latchkey kid, my brother and I would happily ignore the restriction by lunging for the TV as soon as we got home from school. Often, after a healthy dose of cartoons and my brother’s wandered off to do whatever big brothers do in the 80s, I’d continue to watch some old reruns of The Brady Bunch, Batman, Bewitched, and, of course, I Dream of Jeannie. I’d been feeling quite nostalgic these days and decided to tackle I Dream of Jeannie because it had always brought me so much happiness. I wanted to work the bottle in, but didn’t want it to be a mini version so the Hubs and I looked at some designs for Jeannie’s bottle and I found a fairly round doll to fashion it into one. The bottom bit wasn’t as wide as I had wanted, but it does keep the original nesting doll aesthetics!

It took several months and some tears of frustration to paint the bottle, largely because, at 3 AM and after a night of going through a heavy painting session, I wasn’t as sharp and with it as I would at 7 PM and kept making some glaringly obvious mistakes. But I would prevail after giving myself a good pep talk and put on some quirky TV shows and fix whatever boo boo I had made.

Painting Jeannie and Major Nelson wasn’t quite as hard, so I left it alone until the bottle was done and dusted. For Jeannie’s hair I had a very clear picture of what I wanted to do. The Hubs designed the fez hat for me with a hole in it so I could easily insert her pony tail through. I remember procuring an excellent facsimile of blonde hair that would do the trick, but I could not for the life of me find it! I tore my studio apart looking for it, only to remember two hours and a huge mess later that it was cast carelessly inside an easy-to-reach supply cabinet. Sheesh. In the end everything worked out and I was able to successfully finish the set without any more crying.

So here it is, a pure labor of love and some misery. Now, you will excuse me as I pull up a few episodes of this old favorite show of mine and sip some unsalted coffee.

Lizzie McGuire (Past and Present)

Even though I was too old to watch “Lizzie McGuire” when it first aired back in the early aughts, I was keenly aware of the program as it had been popular among the students I was teaching at the time. I knew nothing about it except for its star, Hilary Duff, because she didn’t seem like the type to spiral into madness like so many of her contemporaries (and I was right). It is why I was pleased when the show’s creator Terri Minski asked me to paint a duo faceted set of the show depicting the McGuire family as the revival is slated to be aired on TV shortly. It was fun painting the actors in both versions, as this technique had been proposed by many people in the past but had never come to fruition.

Side A features a young Lizzie McGuire and her family, plus her animated alter ego.

Side B is the grown up and older versions of the same characters. I was only a tiny bit disappointed that Hilary Duff had chosen not to wear her Mermaid Blue hair for this role.

Now, to bum you out a little…I usually do a Christmas set every year, which I actually started and was confident I would finish in time. But the Universe decided to throw a monkey wrench in the busiest time of my year and it literally struck my Dad in the head and he passed away two weeks before the holidays. The doctors weren’t able to determine what had caused his collapse and eventual death, so I imagined that all the synapses in his brilliant, clever mind finally completely misfired all at once and the fuses shorted out. His death caused no more of an inconvenience to all he’s left behind other than securing a plane ticket so close to Christmas, but I managed, so were a host of other relatives and friends, to fly in for his cozy memorial service (or participate in the simultaneous internet live streaming in other parts of the world where he had bevies of friends). It only goes to show how beloved my Dad was, and I found out all the lovely things he did for people throughout the years. I now must strive to be the person my Dad was already proud of and become much much more than that. And I know I have so much of my Dad in me that I really don’t have to miss him…he’s with me always…but hopefully not when I spend hours in a pretzel formation trying to do something about my ingrown toenail.

 

 

The Wes Anderson Diorama

Toward the end of my teaching career, I was invited to the Museum of Natural History for a professional development where the man leading the lecture was one of the curators of the dioramas there. I usually spent these PDs catching up on my sleep or daydreaming about what I’m going to do when I win the lotto jackpot, but that day, I sat, rapt and enchanted, and wished that I hadn’t turned down the opportunity to be an assistant to my ex-boyfriend’s friend, Taxidermy George, who, was one of the most illustrious taxidermist in the country back then and at present.

Taxidermy George, at the time, was running his business in his parents’ basement and was nice enough to have me over to show me his studio. I wanted nothing more than to quit my job right there and then and become a taxidermist, an impulse that practicality said a resounding no to. It turned out to be a mistake, as I found out, to even qualify as an assistant to work on the dioramas at the museum, I would need a rudimentary understanding of taxidermy.

Well, I probably wouldn’t have been too good at it since I’m not too crazy with the idea of working with dead things. But boy, would I love to do the backgrounds for the displays! As it was, the only time I got to really spread my wings was putting up the stage sets for the annual New Year’s performances at the school I was teaching and I wanted to do more of it. At 30+ years old, I felt it might be too much of a gamble to go into the set design/taxidermy business, so I kept it tamped down and wished that one day I would have the time and space to work on it, even at a miniature scale.

As it turns out, there was never time nor budget for me to indulge in this whim of mine, until one day I was looking for something in my loose dolls drawer and saw that I had an array of tiny “last dolls” that had been torn from its original set due to customization. I could turn these dolls into pieces for a diorama!

It took nearly two years for me to finish it, largely due to the lack of time. When the dolls were painted, I experimented with different ideas on the display itself and finally found the perfect frame. I learned how to do wood staining with materials I had on hand (isn’t YouTube tutorials wonderful?) and got to paint on flat canvases for the first time in years. It was a lot of fun putting the pieces together, and I wish I can remember most of the process as a majority of these dioramas were painted at around 3AM when I am in zombie-mode.

This is the first in the (hopefully) many series of a miniaturized large scale project. I admit it was a bit too ambitious for someone who didn’t have a lot of time and didn’t really know what she was doing. I chose to showcase some of the characters from Wes Anderson’s movies because I’d painted so many sets in the last 10 years that I didn’t have to do too much research. Just to let you know how long this project had taken me to complete: When I first drew out the rough sketches, “Isle of Dogs” didn’t even exist yet!

Bottle Rocket

Rushmore

The Royal Tenenbaums

Life Aquatic with Steve Zissou

Hotel Chevalier

Darjeeling Limited

The Fantastic Mr. Fox

Moonrise Kingdom

Grand Budapest Hotel

Isle of Dogs

 

 

Cursed Toys

In my humble opinion, there is nothing scarier than toys that are designed to maim and kill. It’s because of the movies solely based on cursed objects that I was never really into dolls other than Barbies. Here is a collection of some of the dolls featured in a few favorite horror movies of mine.

Here we have the titular character from “Annabell,” a movie about the most evil doll in the world. IRL the said doll was actually a Raggedy Ann, which, aesthetically, does not look like a conduit of pure evil. Then there’s Brahms, who is technically not evil in any way, but still creepy tho. There’s Billy from “Dead Silent.” I don’t think I have ever seen a ventriloquist doll that is NOT evil looking. Then of course there’s Chucky, whom I’ve painted before but I cannot leave him out from this group. And can we ever forget what that clown doll try to do to little kids in “The Poltergeist?” Last but not least there’s Talky Tina from the hit TV series “The Twilight Zone.” She is more of an avenger for abused little kids so I approve of her murderous rampage.

Well, there you have it.

Happy Halloween, y’all!